Sacred Choral Concert Music

This festive original setting of the traditional Latin text captures the essence of joyful admiration of God. Both solemn and majestic, pensive and jubilant, the a cappella sonorities expressed and explored

This playful original shouts for joy to God in Latin. The three parts echo, respond, and layer upon each other until a contrasting middle section when they come together to "sing a song of gladness!" Great

An ideal opener for concerts or festivals, this energetic piece has a memorable melody and lively rhythmic elements. The opening and closing sections offer a syncopated motive, while the middle section

Arranged as a joyful processional, this 14th-century Latin motet can be sung completely a cappella or accompanied by hand drum and tambourine. This short work includes an optional repeating section that may

Davison yet again applies his Baroque-like style in this rhythmically charged original that is perfect for developing voices. Altos and basses share a part as do the sopranos and optional tenors, making

Written with joyful exuberance, this Gloria setting contains both homophonic writing and interplay between the vocal parts. Add the optional trumpet for even more festivity in concerts or services at any

Grandiose and exciting, this festive piece has rhythmic energy in the vocal lines coupled with an active yet supportive piano accompaniment. With a variety of accessible voicings, this piece is fitting for

This moving, traditional Irish blessing is set to music of great simplicity and beauty. Chilcott perfectly captures the warmth and sincerity of the text and weaves a memorable melody which he clothes in

Translated as "Let's Rejoice Today," this celebratory original work combines a short Latin and English text with a simple mixed meter setting that is a wonderful way to open a concert or service at any time

This heartfelt piece reminds us that goodbyes are as filled with gratitude and hope as they are sad. Great intimacy is achieved in this unaccompanied setting with the use of solo voices and lush chords as

This lovely work for treble voices and piano is a lyric, fluid rendering of the familiar text from the Book of Hours (1541). Elegantly simple, it offers the opportunity for young choirs to explore tone,